![]() ![]() “Wood engraving, as well as a medium for commissioned illustrations, has been a means for making independent prints of subjects which explore my own enthusiasms. I started working as a freelance illustrator in 1983, using pen & ink and watercolour for topographical and children’s books, greetings cards, and hundreds of decorative images as giftware for the ceramic industry, mainly for Royal Worcester from 1990 to 2000 and Dunoon Ceramics from 1984, often on Christmas themes, where colour was a priority. “I was introduced to wood engraving by Yvonne Skargon at the Royal College of Art in 1980, and became hooked. Scullard is a member of the Society of Wood-Engravers, and The Sussex Guild. As a student she became interested in printmaking, particularly linocutting, influenced by John Lawrence. She studied illustration at Camberwell School of Art and has an MA in Graphic Design from the Royal College of Art. ![]()
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